指導教授：馬朱麗

口試委員：徐鵬飛、羅仕龍

中文摘要：

《兩天一夜》是比利時導演達頓兄弟於2014年所發表的作品，內容講述一位女性工人桑德拉，因罹患了憂鬱症而停止工作，當她準備復職，卻發現公司認為她表現不如從前，讓大家投票決定讓她被解雇，好處是給其他的員工一千歐元的獎金。為了自己的權利，桑德拉必須在兩天一夜裡，一個一個親自拜訪她的同事們重新投票支持她回到原來的職位。達頓兄弟這部影片突顯了現代社會的經濟困境，每一組《面對面》的鏡頭，展現了人與人之間面對利益衝突的攻防和選擇。
本論文從達頓兄弟擅長的鏡頭《臉》，《特寫》出發，除了分析他們慣於使用的電影語言，更把這部電影作為主體探討其中包含的許多哲學觀點和倫理問題。他們以法國哲學家列維納斯的倫理觀點:他者優先的哲學作為根據，目標是要喚起人們對於社會上弱勢他者的重視。因此在論文中也比較許多其他近代的哲學家的理論和觀點，探討自己和他人無法切割的連結，在兩者難以避免的衝突中找出自我的責任並思考利他的必要性。

英文摘要：

Two days, one Night is a 2014 Belgian film written and directed by the Dardenne brothers. In the movie, the main character, Sandra, after almost a year-long sick leave, who has learned about that she couldn’t keep her job. The factory manager delegates responsibility for this decision to all her colleagues, who must vote either to give up their annual € 1,000 bonus so that Sandra can be employed, or to lay her off and keep their bonuses. In the first poll, the majority vote for her reintegration. For her own right and justice, during the weekend, she has to meet face-to-face with each other of her coworkers and convince them to switch her vote. This film shows not only the difficulty of the contemporary economy, but also the inevitable conflict of interest for the human relationship.
In this thesis, we begin from the take of the “visage”, which is the “close-up” that the Dardenne brothers are apt at interpreting. Other than the analysis of their cinematographic language, we try to discuss the point of views of the western philosophy and ethical issues which are related to our film. Their thinking is based on the philosophy of Emmanuel Levinas: the priority of the Other, to waken the people’s attention to the weak and feeble other. Also, we’d like to find out the connection of the “self” and the “Other”, and think about our own responsibility and the altruism to the Other.