法文題目：

《 Étude sur les politiques cinématographiques de la France et de Taïwan, à travers les exemples du Festival de Cannes et du Festival du film du Cheval d’Or 》

指導教授：梁蓉

口試委員：楊淑娟、黃馨逸

中文摘要：

1895年的冬天，全世界第一場的電影在法國巴黎的咖啡館裡放映，這是首次以售票的方式進行公開的商業播放，也是從這一刻起，法國成為了電影的誕生地，並在電影文化發展方面上不遺餘力；不論是中央機構預算之規劃或是國際交流合作政策，都顯示了法國對電影產業的支持與重視，進而在全球化的發展下，仍能成功的在世界上佔有一席之地。

本論文第一章開始，為了有助於瞭解電影如何作為國家的軟實力，與法國在電影發展上所做的努力，首先將著重於電影的起源，隨後將觀察法國是如何抵擋美國的文化霸權。接著第二章，認識法國與台灣雙方對於電影產業所設置的政府機構。最後，以坎城影展與金馬影展為研究案例，瞭解影展形成之背景及國際間電影之互動情形，一探電影從業者最高殿堂的樣貌。通過本研究，整合法國電影文化之機構功能與其政策，將會發現法國電影當今於國際上扮演著重要角色，透過觀察電影在法國和台灣兩國的發展，希冀為台灣提供新的思考方向。

英文摘要：

In the winter of 1895, the world’s first movie was shown in a coffee shop in Paris, France. This was the first publicly available commercial broadcast by way of ticket sales. From that moment, France became the birthplace of the movie, and spared no effort in the development of film culture. Even in the government, those institutions all always contribute themselves to promote international cultural exchange. Under the trend in globalization, France still has a place in the world.

In the first part of this thesis, in order to better understand film is the soft power of France, and the governments support of film development, we will focus on the origin of film and observe how France resists the cultural hegemony of the United States. In the second part, we will investigate the differences between French and Taiwanese film institutions. In the last part, we will use the Cannes Film Festival and the Taipei Golden Horse Film Festival as the examples to understand the underlying elements of the film festival and the interaction between international films. Finally, we believe that understanding this will offer Taiwan a direction in long-term and help create opportunities for international cooperation.