{"id":16324,"date":"2022-10-12T13:31:18","date_gmt":"2022-10-12T05:31:18","guid":{"rendered":"https:\/\/iweb20b.url.tku.edu.tw\/tffx\/?tkuisotope=101%ef%bd%9c%e9%99%b3%e6%9f%8f%e8%93%89%ef%bd%9c%e5%9b%9e%e6%83%b3%ef%bc%9a%e6%9b%b8%e5%af%ab%e9%bb%91%e6%9a%97%e5%9c%98%e5%a1%8a%ef%bc%8d%e7%91%aa%e6%a0%bc%e9%ba%97%e7%89%b9%e2%80%a7%e8%8e%92"},"modified":"2022-10-12T13:31:18","modified_gmt":"2022-10-12T05:31:18","slug":"101%ef%bd%9c%e9%99%b3%e6%9f%8f%e8%93%89%ef%bd%9c%e5%9b%9e%e6%83%b3%ef%bc%9a%e6%9b%b8%e5%af%ab%e9%bb%91%e6%9a%97%e5%9c%98%e5%a1%8a%ef%bc%8d%e7%91%aa%e6%a0%bc%e9%ba%97%e7%89%b9%e2%80%a7%e8%8e%92","status":"publish","type":"tkuisotope","link":"\/tffx\/?tkuisotope=101%ef%bd%9c%e9%99%b3%e6%9f%8f%e8%93%89%ef%bd%9c%e5%9b%9e%e6%83%b3%ef%bc%9a%e6%9b%b8%e5%af%ab%e9%bb%91%e6%9a%97%e5%9c%98%e5%a1%8a%ef%bc%8d%e7%91%aa%e6%a0%bc%e9%ba%97%e7%89%b9%e2%80%a7%e8%8e%92","title":{"rendered":"101\uff5c\u9673\u67cf\u84c9\uff5c\u56de\u60f3\uff1a\u66f8\u5beb\u9ed1\u6697\u5718\u584a\uff0d\u746a\u683c\u9e97\u7279\u2027\u8392\u54c8\u7d72\u300a\u60c5\u4eba\u300b\u4e09\u90e8\u66f2 \/ Memory\uff0dwriting “the black block” in Marguerite Duras’s works\uff1a”The Sea Wall”\u3001”The Lover” and “The North China Lover”"},"content":{"rendered":"

\u6cd5\u6587\u984c\u76ee\uff1a<\/strong><\/p>\n

\u300a La m\u00e9moire : \u00e9crire le bloc noir \uff0d chez Marguerite Duras\uff0d Un barrage contre le Pacifique, L\u2019amant et L\u2019amant de la Chine du nord \u300b<\/strong><\/p>\n

\u6307\u5c0e\u6559\u6388\uff1a\u8521\u6dd1\u73b2<\/strong><\/p>\n

\u53e3\u8a66\u59d4\u54e1\uff1a\u8a31\u7dba\u73b2\u3001\u6881\u84c9<\/strong><\/p>\n

\n
\u4e2d\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

\u8ad6\u6587\u63d0\u8981\u5167\u5bb9\uff1a<\/p>\n

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\n\u3000\u7814\u7a76\u8005\u671f\u76fc\u80fd\u8df3\u812b\u4e00\u822c\u8a8d\u70ba\u300a\u60c5\u4eba\u300b\u61c9\u70ba\u81ea\u50b3\u5f0f\u5c0f\u8aaa\u7684\u95b1\u8b80\u65b9\u5f0f\uff0c\u5f9e\u81ea\u6211\u66f8\u5beb\u7684\u89d2\u5ea6\u770b\u9ed1\u6697\u5718\u584a\u4ee5\u53ca\u591a\u91cd\u6587\u672c\u7684\u95dc\u806f\u3002\u770b\u8392\u54c8\u7d72\u5982\u4f55\u85c9\u7531\u63ed\u9732\u9ed1\u6697\u5718\u584a\uff0d\u6216\u8005\u8aaa\u66f8\u5beb\u9ed1\u6697\u5718\u584a\u3001\u900f\u904e\u5beb\u4f5c\u4f86\u559a\u8d77\u5979\u53e4\u8001\u7684\u672c\u6e90\u3001\u63ed\u958b\u5167\u5fc3\u88e1\u7684\u9ed1\u6d1e\uff0c\u63a2\u5c0b\u5230\u539f\u521d\u81ea\u6211\u7684\u6700\u9ad8\u8655\uff0d\u751f\u547d\u5b58\u5728\u7684\u672c\u8cea\u3002<\/p>\n

\u82f1\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

Abstract:<\/p>\n

This thesis was based on the concept : the black block of Marguerite Duras. She frequently mentioned in her books and in the interview with Alain Vircondelet or Laure Adler that there is something unknown inward which influenced her when she was writing. Accrording to these documents, this research start with some questions: what is the black block to Duras? How can it has a great effect on her works? Is this the reason that we can\u2019t find any order in her writing? Or is it a power intrinsic? From these questions, this thesis is going to discuss the meaning of writing and the black block to Duras. And how do they effect on her writings and memories.<\/p>\n

In the second part, we choose four themes: mother, water, lover and death from the series of The Lover to take up why Duras was described these four over and over, brought these versions variant. Then, by means of these similarities and dissimilarities, we are trying to analyse the fiction and reality in her books. Between these versions variant, Duras bends her efforts for writing, to recall something important and return to the question original in the life \u2013 life and death.<\/p>\n

In the end, we look forward to making a different point of view to read these novels-the self-writing. Through this way, to realize how she devote herself to writing, to explore her internal.<\/p>\n

\u6cd5\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

Marguerite Duras, n\u00e9e en 1914 en Indochine, a \u00e9t\u00e9 reconnue dans le monde de son roman l\u2019amant gagn\u00e9 le Prix Concourt en 1894. Elle a dit au d\u00e9but de ce roman: \u00ab Tr\u00e8s vite dans ma vie il a \u00e9t\u00e9 trop tard. \u00c0 dix-huit ans il \u00e9tais trop tard. Entre dix-huit ans et vingt-cinq ans mon visage est parti dans une direction impr\u00e9vue. A dix-huit ans j\u2019ai vieilli. \u00bb. Pourquoi dit-elle qu\u2019une petite fille a vieilli \u00e0 dix-huit ans ? Duras est rentr\u00e9e en France \u00e0 l\u2019\u00e2ge de dix-sept ans. Les souvenirs d\u2019enfance \u00e0 Vietnem lui reviennent toujours, et donc, nous pouvons voir beaucoup descriptions de la vie Vietnem dans ses \u0153uvres. Dans cette m\u00e9moire, nous parlons seulement de la s\u00e9rie dans L\u2019amant : Un Barrage Contre le Pacifique en 1950, et ensuite L\u2019amant en 1984, et L\u2019amant de la Chine du Nord en 1991. Avec ces trois romans principales, ses r\u00e9dactions La vie mat\u00e9rielle , Cahiers de la guerre et autres textes , \u00c9crire et ces deux livres compos\u00e9e par l\u2019interview avec Duras : Pour Duras et Marguerite Duras . Avec ces livres, nous allons \u00e9tudier un concept chez Duras : le bloc noir. \u00c0 partir de ce concept, nous commen\u00e7ons dans ce m\u00e9moire en recherchant qu\u2019est-ce que c\u2019est le bloc noir, est-il une puissance d\u2019\u00e9crire, comment fonctionne le bloc noir en \u00e9criant chez Duras. A-t-il une relation entre l\u2019\u00e9crire et le bloc noir ? Est-ce que le bloc noir est la raison de la versions variantes de Duras ? Dans deuxi\u00e8me chapitre, nous allons voir comment Duras a-t-elle fait les m\u00eames choses dans les descriptions diff\u00e9rentes par quatre \u00e9l\u00e9ments entre ses romans : la m\u00e8re, la mer, l\u2019amant et la mort en comparant les intrigues autour de ces quatre. Pourquoi y-a-t-il les m\u00eames sc\u00e8nes, mais les descriptions diff\u00e9rentes ? C\u2019est Duras qui n\u2019a pas la bonne m\u00e9moire, ou c\u2019est elle qui veut bien cacher quelques choses de la v\u00e9rit\u00e9 ? Dans la troisi\u00e8me partie, nous allons douter la v\u00e9rit\u00e9 entre ces \u0153uvres. Pourquoi a-t-elle fait les versions variantes. De quoi veut-elle saisir pour remonter dans sa vie pass\u00e9e ?<\/p>\n

\u76f8\u95dc\u9644\u4ef6<\/a><\/p>\n
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