{"id":16322,"date":"2022-10-12T13:28:07","date_gmt":"2022-10-12T05:28:07","guid":{"rendered":"https:\/\/iweb20b.url.tku.edu.tw\/tffx\/?tkuisotope=101%ef%bd%9c%e8%ac%9d%e7%93%8a%e5%84%80%ef%bd%9c%e6%81%a9%e7%b4%a2%e7%88%be%e7%9a%84%e9%9d%a2%e5%85%b7%e6%84%8f%e6%b6%b5%e8%88%87%e8%87%89%e7%9a%84%e6%8f%ad%e9%9c%b2-the-meaning-of-ensors-m"},"modified":"2022-10-12T13:28:07","modified_gmt":"2022-10-12T05:28:07","slug":"101%ef%bd%9c%e8%ac%9d%e7%93%8a%e5%84%80%ef%bd%9c%e6%81%a9%e7%b4%a2%e7%88%be%e7%9a%84%e9%9d%a2%e5%85%b7%e6%84%8f%e6%b6%b5%e8%88%87%e8%87%89%e7%9a%84%e6%8f%ad%e9%9c%b2-the-meaning-of-ensors-m","status":"publish","type":"tkuisotope","link":"\/tffx\/?tkuisotope=101%ef%bd%9c%e8%ac%9d%e7%93%8a%e5%84%80%ef%bd%9c%e6%81%a9%e7%b4%a2%e7%88%be%e7%9a%84%e9%9d%a2%e5%85%b7%e6%84%8f%e6%b6%b5%e8%88%87%e8%87%89%e7%9a%84%e6%8f%ad%e9%9c%b2-the-meaning-of-ensors-m","title":{"rendered":"101\uff5c\u8b1d\u74ca\u5100\uff5c\u6069\u7d22\u723e\u7684\u9762\u5177\u610f\u6db5\u8207\u81c9\u7684\u63ed\u9732 \/ The meaning of Ensor\u2019s mask and the revelation of the face \/ Le sens du masque d’Ensor et la revelation du visage"},"content":{"rendered":"

\u6307\u5c0e\u6559\u6388\uff1a\u8521\u6dd1\u73b2<\/strong><\/p>\n

\u53e3\u8a66\u59d4\u54e1\uff1a\u6881\u84c9\u3001\u9673\u8cba\u6021<\/strong><\/p>\n

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\u82f1\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

This thesis was developed mainly based on the creative concept of James Ensor. He constantly mentioned the importance of the individual in his own write and believed that there are no rules for artistic creation. In these abundant and varied creative elements, the artist noticed the relation of the vision and the light, and meanwhile he criticized the light ray used by the Impressionists and the Neo-impressionists. Due to the reason, the researcher tried to find out by Light what Ensor was against, and finally discovered that in fact the manner of using the light in the pieces of paintings of Ensor contains a sense of sublime. The result tells that the most important thing is always the emotional feelings from the painter. About the light and the light ray, the researcher also propose a question of representation : how to represent actually what we see ? The answer is in the mask which will be analyzed in the following part.<\/p>\n

\u3000\u3000For Ensor, the mask is significant and it has become the most famous characteristic in his whole creations, so the researcher intended to pursue the way of seeing through the mask. The process of this research in this part responds to \u201cRepresentation\u201d by the light. How to lead the viewer to understand the meaning of Ensor\u2019s mask ? Even though the masks he presented derived from the various types of drama and primitive society, Ensor didn\u2019t follow the original appearance of features, instead he focused on the expression on the face. Regarding the expression, the concept of French philosopher Emmanuelle Levinas can support the point. How do we look at the expression from Ensor’s point of view ? Here we will discuss from the relation between outward and inward to the painter’s point of view. From masque to face, we can understand clearly the painter’s thought. He not only broke the limit of the symbol on the outward of the mask, but also told his own inner spirit which his so-called humanity. Above all, these concepts came from his own experiences and were included by his unique character. <\/p>\n

\u3000\u3000In the content, first of all, the researcher clarify the direction of the thesis by analyzing the documents. Currently, the mask was considered in the category of Carnival and was interpreted with a rebellious spirit or a satire on human nature. However, the thesis is completely different from the Carnival logic but emphasizes merely on Ensor’s opinions. By the mask and the face, the researcher realized what the painter might want to express. After comparing the difference, the researcher will take a few paintings for example to notice the evolution and the related causes of Ensor\u2019s paintings. This part will help to understand that changes of light and the mask are mainly from emotions of the painter. Then, entering the research through the light and the mask, the researcher also discusses several paintings to explain and lead the viewer to a better understanding to the painter’s perspective.<\/p>\n

\u6cd5\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

James Ensor est un artiste qui change toujours et cela se voit facilement dans ses creations tout entiere. Il est considere comme un peintre realiste pour ses premieres peintures, mais tres rapidement il est aussi vu comme un symboliste pour l\u2019utilisation du masque, du squelette et du Christ etc. Cepandant le plus important est qu\u2019Ensor est devenu a la fin de sa carriere le precurseur de l’Expressionnisme dans la peinture moderne pour sa facon dont l’image est presentee. \u3000\u3000Ici on peut poser une question : qu\u2019est-ce qu\u2019Ensor veut finalement exprimer ? Pourquoi son style se transforme sans cesse ? Dans son ecriture, on peut comprendre qu\u2019il represente est toujours ses propres emotions et sensations. Pour lui, la creation artistique n\u2019est pas seule un moyen. Il faut penser a soi-meme. Selon Ensor, la representation des elements ou des images contient le moi, c\u2019est-a-dire l\u2019artiste lui-meme. Ce memoire est donc developpe autour des idees d\u2019Ensor et a pour but d\u2019exprimer sa pensee a travers la lumiere et le masque. Pourquoi choisir la lumiere comme theme d\u2019analyse ? Ensor parle souvent de l\u2019importance de l\u2019utilisation de la lumiere et critique celle des Impressionnistes et des Neo-impressionnistes francais. Il pense que leur lumiere, qui est en fait le rayon de la lumiere, ne presente aucun emotion interne personnelle. A partir de cela, la difference sur la representation de la lumiere entre les peintres francais et Ensor devient le premier probleme au debut de notre etude. En analysant et comparant, nous voyons clairement que le sens de la lumiere d\u2019Ensor n\u2019est pas a la surface des choses. La recherche de la lumiere touche aussi la probleme de la representation. Comment presenter un element dans une oeuvre ? Cela concerne la maniere de voir. Comment traiter la lumiere d\u2019Ensor ? On peut se trouver la reponse par le masque du peintre. Comment regarder le masque chez Ensor ? Meme si les masques qu\u2019il peint sont venus de differents types de pays vendus dans le magasin familial, il considere le masque comme un visage humain et remarque les expressions qui montrent les caracteres. Notre recherche sur les masques d\u2019Ensor part de son point de vue et se developpe avec le concept philosophique d\u2019Emmanuelle Levinas ; on peut finalement comprendre la maniere de voir d\u2019Ensor.<\/p>\n

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