{"id":16283,"date":"2022-10-06T11:54:11","date_gmt":"2022-10-06T03:54:11","guid":{"rendered":"https:\/\/iweb20b.url.tku.edu.tw\/tffx\/?tkuisotope=107%ef%bd%9c%e5%bb%96%e6%b6%b5%e5%90%9b%ef%bd%9c%e5%be%9eyasmina-reza-%e7%9a%84-%e3%80%8a%e8%97%9d%e8%a1%93%e3%80%8b-%e5%92%8c-%e3%80%8a%e6%ae%ba%e6%88%ae%e4%b9%8b%e7%a5%9e%e3%80%8b-%e6%8e%a2%e7%a9%b6"},"modified":"2022-10-06T11:54:11","modified_gmt":"2022-10-06T03:54:11","slug":"107%ef%bd%9c%e5%bb%96%e6%b6%b5%e5%90%9b%ef%bd%9c%e5%be%9eyasmina-reza-%e7%9a%84-%e3%80%8a%e8%97%9d%e8%a1%93%e3%80%8b-%e5%92%8c-%e3%80%8a%e6%ae%ba%e6%88%ae%e4%b9%8b%e7%a5%9e%e3%80%8b-%e6%8e%a2%e7%a9%b6","status":"publish","type":"tkuisotope","link":"\/tffx\/?tkuisotope=107%ef%bd%9c%e5%bb%96%e6%b6%b5%e5%90%9b%ef%bd%9c%e5%be%9eyasmina-reza-%e7%9a%84-%e3%80%8a%e8%97%9d%e8%a1%93%e3%80%8b-%e5%92%8c-%e3%80%8a%e6%ae%ba%e6%88%ae%e4%b9%8b%e7%a5%9e%e3%80%8b-%e6%8e%a2%e7%a9%b6","title":{"rendered":"107\uff5c\u5ed6\u6db5\u541b\uff5c\u5f9eYasmina Reza \u7684 \u300a\u85dd\u8853\u300b \u548c \u300a\u6bba\u622e\u4e4b\u795e\u300b \u63a2\u7a76\u54c1\u5473\u6232\u5287\u4e4b\u885d\u7a81\u7684\u8868\u73fe \/ The representation of conflict of taste in two works by Yasmina Reza, Art and God of Carnage \/ La repr\u00e9sentation de conflit de go\u00fbt dans deux oeuvres de Yasmina Reza, Art et Le Dieu du carnage"},"content":{"rendered":"

\u6307\u5c0e\u6559\u6388\uff1a\u6881\u84c9\u3001Mathilde BOMBART<\/strong><\/p>\n

\u53e3\u8a66\u59d4\u54e1\uff1aFabienne BOISSIERAS<\/strong><\/p>\n

\n
\u4e2d\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

\u54c1\u5473\uff0c\u9577\u4e45\u4ee5\u4f86\u90fd\u662f\u4eba\u5011\u8a55\u65b7\u4ed6\u4eba\u7684\u6a19\u6e96\uff0c\u540c\u6642\uff0c\u54c1\u5473\u512a\u52a3\uff0c\u4e5f\u9593\u63a5\u5730\u5c07\u4eba\u5011\u5340\u5206\u6210\u4e0d\u540c\u7fa4\u9ad4\u548c\u968e\u7d1a\u3002\u89c0\u770bYasmina Reza\u7684\u9019\u5169\u90e8\u4f5c\u54c1\uff0c\u89d2\u8272\u5011\u7684\u885d\u7a81\u4f86\u81ea\u65bc\u85dd\u8853\u7f8e\u5b78\u548c\u9053\u5fb7\u50f9\u503c\u4e0a\u7684\u5dee\u7570\uff0c\u5fc3\u4e2d\u4e0d\u7981\u7522\u751f\u4e00\u4e9b\u7591\u554f:\u885d\u7a81\u662f\u5426\u548c\u54c1\u5473\u5dee\u7570\u6709\u95dc?\u54c1\u5473\u662f\u5426\u7121\u6240\u4e0d\u5728?
\n\u70ba\u4e86\u627e\u51fa\u9019\u500b\u7b54\u6848\uff0c\u672c\u8ad6\u6587\u901a\u904e\u4e09\u7ae0\u7bc0\u63a2\u8a0e\u548c\u5206\u6790:
\n\u9996\u5148\uff0c\u901a\u904e\u5287\u4e2d\u89d2\u8272\u7684\u8077\u696d\u3001\u611b\u597d\u4ee5\u53ca\u7d93\u6fdf\u80fd\u529b\u78ba\u7acb\u4ed6\u5011\u5728\u793e\u6703\u4e0a\u6240\u5c6c\u968e\u7d1a\uff1b\u63a5\u8457\uff0c\u6839\u64daPierre Bourdieu\u7684\u7814\u7a76\u300aLa distinction\u300b\u5206\u6790\u54c1\u5473\u5dee\u7570\u7684\u578b\u614b\uff1b\u6700\u5f8c\uff0c\u5f9e\u821e\u53f0\u9a57\u8b49\u54c1\u5473\u548c\u885d\u7a81\u5728\u6232\u5287\u4e0a\u7684\u8868\u73fe\u3002<\/p>\n

\u82f1\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

Taste has been one of the standards for people to judge others. Besides, the taste indirectly divides people into different groups and classes. In these two works by Yasmina Reza, the conflicts of the characters come from differences in artistic aesthetics and moral values. I wonder if the conflicts are related to the different taste. I would like to know if they exist in our daily life all the time. In order to find out this answer, this thesis composes in three chapters: First, I verify social status of the characters in these two plays according to their profession, hobbies, and their financial abilities. Then, I analyze the type of different taste via Pierre Bourdieu’s study \u00ab La distinction \u00bb. Finally, I try to find out that how does the performance at the stage of drama present the taste and the conflicts.<\/p>\n

\u6cd5\u6587\u6458\u8981\uff1a<\/strong><\/h5>\n

En g\u00e9n\u00e9ral, le go\u00fbt personnel non seulement devient un symbole d\u2019une marque personnelle mais accompagne chacun toute la vie. La diff\u00e9rence de go\u00fbt se met en place quand l\u2019on na\u00eet. Les deux pi\u00e8ces de Yasmina Reza, Art et Le Dieu du carnage mettent en \u00e9vidence ce ph\u00e9nom\u00e8ne humain. L\u2019un critique le go\u00fbt artistique, l\u2019autre discute le sens moral. Les lecteurs ne regardent pas la querelle s\u2019effacer ou les personnages changer leurs propres go\u00fbts. Ainsi, une interrogation est survenue imm\u00e9diatement : Est-ce qu\u2019il y a une relation entre le go\u00fbt et la querelle ? Est-ce que l\u2019on peut prouver que le go\u00fbt est omnipr\u00e9sent ? Est-ce que le bourgeois a une tendance \u00e0 la comparaison comme la description de Yasmina Reza ?<\/p>\n

\u76f8\u95dc\u9644\u4ef6<\/a><\/p>\n
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